Cornelius Crowley, Geetha Ganapathy-Doré and Michel Naumann (eds.), Heritage and Ruptures in Indian Literature, Culture and Cinema
Newcastle upon Tyne, Cambridge Scholars Publishing, 2017
This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent’s current “synchronic” reality and to certain aspects of the culture’s underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent’s long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation. The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of some modern and contemporary Indian artists and British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.
Table of Contents
Chapter One: In the City They Come and Go: Dialogical Modernism in Indian English Poetry
Chapter Two: Three Generations of Migrancy in Kiran Desai’s The Inheritance of Loss: The Focus on Material Things
Chapter Three: Community Ruptures: Individual Refashionings of Postcolonial Diasporic Life in Hanif Kureishi’s Something to Tell You
Maria-Sabina Draga Alexandru
Chapter Four: A Shameful and Deadly Legacy: Rape, Incest and Parricide in Achmat dangor’s Bitter Fruit and Shani Mootoo’s Cereus Blooms at Night
Chapter Five: ‘Who shall inherit Bengal?’ A Reading of Anuradha Roy’s An Atlas of Impossible Longing
Chapter Six: Transcending the Dual Heritage of Exile in Jhumpa Lahiri’s Fiction: The Imperious Desire for a Chosen Realm
Chapter Seven: Family, Geography, and Ideology in Jhumpa Lahiri’s The Lowland|
Chapter Eight: Cooperation of Opposites: The Home and the Foreign in R. K. Narayan’s Novels
Chapter Nine: The Rupture Within: Manimekalai’s Polemics with Buddhism
Chapter Ten: The Legacy of the Hastings Circle: Heritage or Rupture?
Madhu Jain Benoit
Chapter Eleven: Sir Sayyid Ahmad Khan’s New Approach to the Muslim-Christian Relationship in the Context of British India: A Rupture with Old Practices?
Chapter Twelve: Ruptured History and the Politics of Language in Myanmar
Chapter Thirteen: Heritage and Ruptures: The Hero’s Identity Negotiations in the Cinematic Adaptations of Devdas
Jitka de Préval
Chapter Fourteen: Heritage or Rupture in Two British Asian Films: East is East and West is West
Chapter Fifteen: Heritage and Ruptures: A Fine Balance Difficult to Obtain (and some questions around gender)
Notes on Contributors