Calls for papers for conferences taking place in May 2026

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Seeing the Other Empire: British Travel Writing and Imperial Rivalry in Europe and the Near East, 1783–1914.
Host and dates: University of Strasbourg. 7 May 2026.
Deadline for submissions: 10 February 2026.

Venue details: MISHA – Salle de conference, 5 allée du Général Rouvillois, Strasbourg.

Event presentation

Though nineteenth-century British travellers could confidently claim their nation’s perceived superiority while in foreign lands, it was becoming obvious that other European nations were catching up. In particular, Russia and France, and, after 1870, Germany, started raising anxieties both for British politicians and travellers. On the other hand, the Ottoman Empire and Qajar Iran were believed to be declining and potentially destined for collapse. 

This conference aims to interrogate some of the British visions of rival empires in Europe and the Near East in narrations written between 1783 and 1914. It would be interesting to analyse the practice of imagined colonialism, that is, how the British travellers cast a domineering gaze upon their imperial rivals when travelling in lands that were not colonies of the British crown. Travellers could project superiority while simultaneously revealing deep anxieties. At the same time, military, economic, industrial, cultural and religious rivalry could coexist with forms of cooperation.

We are looking for PhD students and early-career PhD researchers interested in an interdisciplinary approach to history. We ask that contributions engage with travel writings as primary sources. These must be written by British nationals about lands not under their colonial possession; we are particularly interested in contributions on British travel writing on France, Austria–Hungary, the Netherlands, Germany, Russia, the Ottoman Empire, and Iran, but other political entities in Europe and the Near East (but not the Far East) are welcome. Travel writings in British colonies like India are not included within the scope of this conference, and neither are books written by non-British travellers. While we encourage non-fiction travel books, discussions on fictional travel literature are also welcome, so long as the main angle of approach is historical and not purely literary. Relevant academic domains include world history, transimperial history, comparative empires, area studies, cultural studies and geopolitics.

Website address 

https://search.unistra.fr/agenda/seeing-the-other-empire

Contact details

CFP

For further details, please check the event original call inserted below.

(Posted 24 November 2026. Updated 29 November 2026)


18th International IDEA Conference: “Studies in English”.
Host and dates: Hacettepe University, Ankara, Türkiye. 13-15 May 2026.
Deadline for submissions: 15 December 2025.

Venue details: Beytepe Campus, Hacettepe University, Ankara, Türkiye.

Event organised by Hacettepe University, Department of English Language and Literature, Ankara, Türkiye

Event presentation

Founded in 2005, IDEA (English Language and Literature Research Association of Türkiye) is the Turkish national association for English studies. As the only professional association in Türkiye affiliated with ESSE (The European Society for the Study of English), IDEA aims at bringing together academics working in the fields of linguistics, literature, language teaching and cultural studies. The 18th IDEA Conference will be held on the basis of in-person participation and by the Department of English Language and Literature, Faculty of Letters, Hacettepe University. 

Scope. Our conference accepts papers in a wide range of topics from many different fields of “Studies in English.” We invite individual papers in the following general fields: 

  • English Literature 
  • Irish Studies 
  • Literatures in English 
  • Cultural and Critical Studies 
  • Linguistics 
  • English Language Teaching 
  • Translation Studies 

Website address: https://idea18.hacettepe.edu.tr/en

Contact details: idea18hacettepe@gmail.com

CFP

For further details, please check the event original call inserted below.

(Posted 7 November 2025)


BAS Conference, 34th edition: “Reconfiguring Borders and Boundaries in/through the Lens of Literature, Language and Culture”.
Host and dates: West University Timișoara, Romania. 14-16 May 2026.
Deadline for submissions: 15 February 2026.

Venue: West University Timișoara, Romania.

Organisers: English Department, Faculty of Letters, History, Philosophy and Theology, West University Timișoara

Presentation
Recent  times  have  seen  the  creation  of  new  borders  and  boundaries,  such  as  those  between  humans  and artificial  intelligence,  as  well  as  the  re-emergence  of  old  ones,  especially  along  nationalist,  racial, ethnic,  gender,  class  and  religious  divides.  Such  dynamics  are  connected  to  contemporary sociopolitical,  cultural  and  technological  transformations  and  crises,  among  which  the  wide  reach  of mis-  and  disinformation,  the  dissolution  of  trust  in  science  and  institutions,  the  rise  of  ethnonationalist populism  and  authoritarianism,  the  mainstreaming  of  exclusionary  rhetoric,  armed  conflicts, environmental  disasters  and  large  movements  of  populations,  to  name  but  a  few.  At  the  same  time,  the duality  of  borders  and  boundaries,  erected  not  only  to  separate,  exclude  or  divide,  but  also  to  protect and  cognitively  map  social  reality  (Tanulku  &  Pekelsma,  2024),  prompts  reflection  on  the  potential contained therein for bridging and crossing over. 

Borders  are  physical  and  territorial,  while  boundaries  are  symbolic,  sociocultural  and  moral, productive  of  differentiation  and  hierarchization  through  practices  of  inclusion/exclusion  and  ordering (Lamont  &  Molnár,  2002;  Tanulku  &  Pekelsma,  2024).  Many  scholars,  however,  consider  them interrelated  and  mutually  constitutive,  or  even  use  them  interchangeably,  depending  on  the  context (Fischer,  Achermann  &  Dahinden,  2020;  Tanulku  &  Pekelsma,  2024;  Yuval-Davis,  Wemyss  & Cassidy,  2019).  The  currently  dominant  approach  to  the  study  of  borders  and  boundaries conceptualizes  them  as  multiscalar,  relational,  processual  and  performative  spaces  and  constructs, constantly  made  and  remade,  (re)produced  but  also  challenged,  in  top-down  and  bottom-up  practices, experiences  and  discourses,  as  sites  of  both  governance  and  agency  formation  (Brambilla  et  al.,  2015; Fischer,  Achermann  &  Dahinden,  2020;  Paasi,  2013;  Tanulku  &  Pekelsma,  2024;  Yuval-Davis, Wemyss  &  Cassidy,  2019).  To  bring  these  aspects  into  relief,  the  concepts  of  ‘bordering,’  ‘boundary making’  or  ‘boundary  work’  have  been  introduced  and  used  alongside,  and  even  instead  of,  the  more static  ‘borders’  and  ‘boundaries.’  In  a  broad  sense,  bordering  and  boundary  work  involve,  beyond nation-states  and  their  transformation  in  a  global  world,  other  types  of  space  (global  cities,  rural  areas,  frontiers,  peripheries,  public/private),  identification  practices  (belonging,  otherness,  intersectionality),  time (past/present/future), politics (ideological boundaries), disciplines, and so on.  

A  non-comprehensive  list  of  the  theoretical  insights  that  inform  the  study  of  borders  and  boundaries  encompasses  the  following:  the  socially  constructed  nature  of  space  and  its  embeddedness  in  power  relations  (Lefebvre,  1991;  Massey,  1994;  Soja,  1996)  and  struggles  across  global,  regional  and  local  scales  (Brenner,  2001;  Jessop,  2002;  Mahler  &  Pessar,  2003);  the  fragmentation,  fluidity,  hybridization  and  performativity  of  identities  (Bhabha,  1994;  Butler,  1990;  Hall,  1997);  the  articulation  of  belonging  and  citizenship  across  transnational  networks  and  flows  through  physical,  virtual,  imaginary  and  affective  co-presence,  but  also  simultaneous  inclusion  in  one  space  and  exclusion  from  another  (Ahmed,  2003;  Baldassar,  2008;  Levitt  &  Glick  Schiller,  2004;  Vertovec,  2009;  Yuval-Davis,  2011);  the  formation  of  inequality  and  oppression  across  multiple,  intersecting  axes  (Crenshaw,  1989);  the  global  (im)mobilities  of  people,  objects,  communication  technologies,  information,  images  and  money  (Urry,  2007);  governmentality,  biopolitics  (Foucault,  1977-1979)  and  necropolitics  (Mbembe,  2006).  Due  to  the  complexity  of  bordering  and  boundary  making,  their  research  has  fostered  inter-  and  transdisciplinary  dialogue,  with  contributions  from  the  humanities  gaining  increasing  weight  over  time  (Brambilla  et  al.,  2015;  Paasi,  2013;  Wilson  &  Hastings,  2012).  Borders  and  boundaries  are  symbolically  construed,  (re)produced,  negotiated,  performed,  mediated  in  literary  and  cultural  discourses,  in  social  and  public  imaginaries  and  narratives,  in  artistic  creations  and  installations,  in  multilingual  encounters,  translations,  linguistic  change,  discursive  stances,  positionings and interactions.  

Confirmed Plenary Speakers: 

  • Prof. Robert Asen, University of Wisconsin-Madison: Prospects for Democracy in an Authoritarian Age – A Rhetorical Approach
  • Prof. Steven Conn, Miami University: Landscapes of Loss 
  • Prof. Elisabetta Marino, University of Rome Tor Vergata: Crossing Borders, Defying Boundaries: Women Travel Writers in the Victorian Age
  • Prof. Ruxandra Vișan, University of Bucharest: Rethinking Linguistic Boundaries: Representations of Gender-Inclusive Language

Presentations (20 min) are invited in the following sections: 

  • Language Studies  
  • Translation Studies 
  • Discourse and Rhetorical Studies 
  • British and Commonwealth Literature  
  • American Literature  
  • Cultural Studies  
  • Gender Studies  
  • English Language Teaching  

ROUND TABLE: CRISIS IN THE HUMANITIES/ HUMANITIES IN CRISIS

WORKSHOP: RETHINKING TOOLS FOR QUALITY ASSESSMENT IN LEGAL TRANSLATION

Website address 

British and American Studies Conference

Contact details

CFP

For further details, please check the event original call inserted below.

(Posted 4 November 2025)


The Poetics and Politics of Literary Assemblages in the Anglosphere: An International Conference.
Host and dates: University of Málaga, Spain. 18-20 May 2026.
Deadline for submissions: 19 January 2026 (extended deadline).

Event organised by The Research Project “Re-Orienting Assemblage Theory in Anglophone Literature and Culture (RELY)” (PID2022-137881NB-I00), and Dept. of English, French and German at the University of Málaga.

Venue details: Faculty of Humanities and Faculty of Education, University of Málaga.

Event presentation

Ever since the publication of Deleuze and Guattari’s seminal A Thousand Plateaus (1980), the concept of assemblage has received wide attention, mainly due to its protean ability to challenge, disrupt and question received societal and cultural mores anchored in tradition and in linear perceptions of reality. However, this conference aims to re-evaluate the impact and potentialities that assembled thinking has to offer to 21st-century literary practices. This re-assessment coincides with what we perceive as a renewed critical interest in the indeterminate and versatile philosophical notion of assemblage. This resurgence may be understood as a response to the messy, fluid, and multidirectional realities of contemporary social life. Following Ben Anderson and Colin McFarlane, we contend that assemblage is most productively conceptualised as open-ended and generative, and that its theoretical malleability ought to be embraced rather than constrained (126). This orientation invites us to explore the creative methodological possibilities that emerge when we ‘think with assemblages’. Originating as a philosophical construct in Gilles Deleuze and Félix Guattari’s Capitalism and Schizophrenia (1972), the concept has, as Ian Buchanan argues, evolved into a global theory, though in the process it has “drifted along the way from its origins” (Assemblage 155). Such drift has opened space for relational approaches that reconceptualise ecological, material, and spatiotemporal knowledge not as discrete units but as dynamic, collaborative configurations. To think with assemblage, therefore, is to engage with entanglements as shifting constellations of relations, systems, and interdependencies. Relational approaches such as Bruno Latour’s actor-network theory (2005), Karen Barad’s intra-action (2007), Jane Bennett’s vital materialism (2010), or Stacy Alaimo’s transcorporeality (2014) all gesture towards this orientation, and together they reframe assemblages as a rightful metaphor to attend to the ever-changing webs of forces, agencies, and flows that transform and sustain life. Attending a narrative through the lens of assemblage thus allows us to perceive social, cultural, and ecological transformation as emergent, multi-voiced, and always in process.

This Conference therefore seeks to engage with assemblage in literary and cultural works through multiple perspectives, including temporal assemblages and assemblages of memory; assemblages of matter and sensorial assemblages; (inter)human assemblages and assemblages of health; spatial assemblages; and textual assemblages. A crucial dimension of our approach is the emphasis on care as a connective principle within assemblages. To think about assemblages through the lens of care is to resist models that privilege autonomy or discrete entities, and instead to recognise vulnerability, reciprocity, and maintenance as central forces within cultural, social, and ecological systems. In this way, care is the major connective thread across the four main clusters that we present here, transversally connecting literary and cultural renderings of ecologies, embodiment, representation, and temporalities. The four clusters are as follows: reassembling temporalities, spaces, and borders; ecologies and entanglements in more-than-human worlds; bodies, minds, and medical humanities; identity, intersectionality, and the politics of representation.

We invite interested scholars to submit theoretical reflections, case studies, comparative analyses, and other contributions. We welcome proposals from researchers at all career stages. Please submit your proposal to the organising committee at literaryassemblage@gmail.com by 19 January 2026. Each proposal will include the title, an abstract of up to 300 words, plus a short bio note.

Confirmed plenary speakers:

  • John McLeod (University of Leeds)
  • Margarita Estévez Saá (University of Santiago de Compostela)
  • Xavier Aldana Reyes (Manchester Metropolitan University)

Co-chairs:

  • Professor Rosario Arias
  • Dr. María Magdalena Flores Quesada

Website address 

https://eventos.uma.es/event_detail/143998/detail/the-poetics-and-politics-of-literary-assemblages-an-international-conference.html

Contact details

literaryassemblage@gmail.com

CFP

For further details, please check the event original call inserted below.

(Posted 5 December 2025)


Borders: Literary, Cultural and Political Dialogues.
Host and dates: National and Kapodistrian University of Athens and the Hellenic Association for the Study of English (HASE). Athens, Greece. 18-21 May 2026.
Deadline for submissions: 30 January 2026.

Event organised by The Department of English Language & Literature of the National and Kapodistrian University of Athens and the Hellenic Association for the Study of English (HASE)

Event presentation

The Department of English Language & Literature of the National and Kapodistrian University of Athens and the Hellenic Association for the Study of English (HASE) are inviting proposals for individual papers and panels to be presented at the international interdisciplinary conference – “Borders: Literary, Cultural and Political Dialogues” – taking place in Athens, Greece, 18-21 May 2026. 

It is a fact that the world has been increasingly subject to border reinforcement since the major events of the 20th century, such as the two world wars and the dissolution of colonial governance across various territories as well as of the Soviet Union. The continuous bolstering of the US-Mexico border wall since President Bush’s post-9/11 Secure Fence Act in 2006, Brexit and the redefinition of Europe’s borders, Covid-19 and the reappearance of invisible borders, the Syrian refugee crisis, the wars in Ukraine, Gaza, Lebanon and Sudan, and most recently, Trump’s annexation threats at Greenland, Canada and Panama are only a few of the historical, political and social realities which influenced the physical (re)construction and (re)arrangement of borders as well as helped to shape the way borders are perceived, thought and imagined.

This has resulted in an abundance of critical work within Border Studies and the generation of a plurality of terms and concepts, offering valuable ontological, epistemological and methodological categories for the study of borders in an attempt to move from the view of borders as lines in the sand which separate territories towards approaches which entail an acknowledgement of the border’s complexity, processual dimension and methodological potentiality in political discourses (Critical Border Studies). Simultaneously, a wealth of artistic and literary work which variously engages the topic of borders is joining these critical discussions, acknowledging not only the aesthetic dimension of the border but also the crosscurrents between borders and culture more generally (Cultural Border Studies). 

The present vicissitudes of a world confronted with instability, fear, violence and injustice urgently call for reflection on the histories, conceptualizations, theorizations and representations of borders and border politics. In response to this, the Department of English Language and Literature (NKUA) and HASE are inviting contributions from relevant academic disciplines (Literary Studies; Arts; Cultural Studies; Philosophy; Geopolitics; History; Law; Sociology; Anthropology) as well as from artists, practitioners and activists. Through this conference, we seek to offer a space for experimental and innovative approaches to borders as well as for a critical dialogue which will unravel the complexity and multifariousness of borders across time and space.

Possible topics include, but are not restricted to, the following:

  • border types: national; imperial; religious; cultural; racial; political; economic; class; gender; sexual
  • metaphorical and conceptual borders
  • border poetics; border-crossing narratives
  • form and borders; genres as borders 
  • borders and/in drama
  • adaptation and intertextuality as border crossings
  • migration narratives; migrant art; migration and translation 
  • borders and language; transborder linguistics; translanguage/translanguaging 
  • translation as border crossing; bilingualism or plurilingualism as border crossing
  • geopolitical borders: mapping, surveying, securitization, digitization
  • geopolitics and biopolitics
  • borders and sovereignty; state and imperial formation 
  • empire and colonization
  • border-crossing and decolonial politics
  • transnational interaction; transcultural dialogue; cross-cultural diplomacy 
  • the meaning of community; borders and home; borders and national identity
  • embodied experiences; emotions; bodies at/as borders; borders as bodies
  • border materiality; border consistency
  • borders as architecture; the limit in architecture
  • borders and art: border art; art as border-crossing
  • border epistemologies; conceptual and/or terminological categories 
  • philosophical interrogations: the border; the limit; the boundary; the edge 

Submissions are welcome from affiliated scholars (MA and PhD students, Postdoctoral researchers and academics at any stage of their career), independent scholars, community researchers, activists, practitioners and artists, working on borders from any relevant disciplinary field. The language of the conference is English and it will be held entirely on-site. Power Point presentations will be supported and we are happy to discuss the possibility of non-traditional presentation formats where relevant or necessary.

Proposals

Please submit your proposal to borders2026@enl.uoa.gr in one single document including the following: 

  1. Name, email, and affiliation (if applicable) 
  2. A brief bio (max. 150 words)
  3. Title of presentation 
  4. Abstract (max. 200 words for an individual paper and max. 300 words for a panel)
  5. 3-5 keywords 

Timeline

  • Abstract submission deadline: Friday, 30 January 2026 
  • Notification of acceptance:  Friday, 6 February 2026

Conference website

https://new.enl.auth.gr/hase/borders2026/

Contact

For any queries, please contact: 

(Posted 29 November 2025)


5th Biennial John Dos Passos Society Conference.
Host and dates: John Dos Passos Society. 20-23 May 2026.
Deadline for submissions: 1 February 2026.

Venue details: John Dos Passos Society; Ponta do Sol, Madeira, Portugal.

Event presentation

The John Dos Passos Society hereby announces its 2026 biennial conference in Madeira, Portugal. We invite abstracts for twenty-minute presentations dealing with any aspect of Dos Passos’s life and works, including comparative approaches.

For consideration, please send an abstract of 250-300 words and a brief CV to conference organizers Bernardo de Vasconcelos and Rosa María Bautista-Cordero at givascob@staff.uma.pt and rosa.bautista@uam.es by February 1, 2026. The conference language is English. For further information, please see the full announcement at the John Dos Passos Society website.

Website address 

https://johndospassossociety.org

Contact details

(Posted 14 November 2026)


Prosody at the crossroads of disciplinary pathways: Prosody and voice quality.
Host and dates: Université Grenoble Alpes, France. 21-22 May 2026.
Deadline for submissions: 16 February 2026.

Venue details

Université Grenoble Alpes (France), Saint-Martin-d’Hères campus, IMAG building.

Event presentation 

This conference seeks to offer an interdisciplinary perspective on prosody, traditionally defined as encompassing intonation, rhythm, and accentuation. We also intend to include voice quality in the program alongside the established categories of stress and intonation so as to encourage discussion on the nature of prosodic features.

The aim of this project is to foster collaboration between researchers to address prosodic models, assessment methods and the interfaces between prosody and other linguistic domains.

Keynote speakers

  • Eugenia San Segundo, Materials Science Institute of Madrid – CSIC 
  • Felix Schaeffler, Queen Margaret University, Edinburgh 
  • Radek Skarnitzl, Charles University, Prague 
  • Jane Stuart-Smith, University of Glasgow 

Submissions

Submissions must include a title and a one-page anonymous abstract (excluding references), and be submitted through SciencesConf at: https://ugaprosody2026.sciencesconf.org/submission/submit, by February 6, 2026.

Oral Presentations will consist of 30-minute presentations followed by 10-minute question and discussion sessions. Posters should be prepared in Portrait format with a maximum size of A0.

Instructions for submission can be found here: Make a new submission – documentation.

Website address 

Prosody at the crossroads of disciplinary pathways – Sciencesconf.org

Contact details

CFP

For further details, please check the original call inserted below.

(Posted 23 April 2025)


The circulation of textile designs, patterns, skills and representations in early modern Europe.
Host and dates: Université de Haute-Alsace, Mulhouse (France), 21-23 May 2026.
Deadline for submissions: 15 September 2025.

Event presentation

This interdisciplinary conference is part of a joint project initiated by the Università L’Orientale, Naples (Italy), and the Université de Haute-Alsace, Mulhouse (France), and entitled “Textiles and the texture of ideas in early modern Europe (1589-1801): How the craft and its products interacted with philosophy, literature and the visual arts”. It will be held at the Université de Haute-Alsace from 21st to 23rd May 2026″. It follows up on a conference hosted by the Unviversità L’Orientale in September 2025. We invite papers with a focus on the interaction between the material and the immaterial aspects of the craft of weaving, approached from various angles, in the early modern period. The aim is to explore aspects of the interactions between textile manufacturing and its products and the individual or collective imagination, intellectual life as well as the ‘world picture’ and mental representations in the early modern period. We welcome interdisciplinary papers at the crossroads of, but not limited to, any ones of the following: cultural history, social history, microhistory, history of ideas or intellectual history, the history of technology, philosophy, linguistics, literary studies, material studies, visual arts studies, crafts, aesthetics, memorial studies, intermedial studies.

Submissions

Please send your paper proposals in English (300 words approximately) as well as a short biography to

by 15 September 2025

Responses to paper proposals will be given by 15 October 2025. 

Contact details
Laurent Curelly, Université de Haute-Alsace, laurent.curelly@uha.fr

CFP

For further details, please check the original call inserted below.

(Posted 13 July 2025)


Interdisciplinary Conference: “Disaster Nationalism” and Present-day Europe.
Host and dates: Charles University, Faculty of Arts, Prague. 22 and 23 May 2026.
Deadline for submissions: 31 January 2026.

Event presentation

By the late twentieth century, nationalisms across much of the West seemed in abeyance. The demise of the bipolar world order in 1989-1991 heralded new arrangements of political and  social identity to such an extent that Francis Fukyama was to propose, somewhat prematurely, that “the end-point of mankind’s ideological evolution and the universalization of Western  liberal democracy as the final form of human government” (4) was within view. In Europe,  the Yugoslav wars notwithstanding, the European Union promised a cosmopolitan  supranationalism which while intermittently contested, has altered how the peoples of the  nations within the bloc experience everyday life, mobility, culture and bureaucracy. The EU  seemed to mitigate the potential of violent nationalist conflicts, and produce spaces for  compromise and co-operation as was most evident in the case of the Peace Process in  Northern Ireland.  

More generally, nationalisms, whether cultural or political, by the end of the twentieth century  were impacted by the burgeoning force of globalization and in this zone new pressures,  challenges and antagonisms surfaced. Dani Rodrik argues in The Globalization Paradox, that this led to “the fundamental political trilemma of the world economy: we cannot  simultaneously pursue democracy, national determination, and economic globalization” (xviii). Only two of these elements, he suggests, fully function at any given time, resulting in  frictions in the concept and consequences of globalization. 

It is in this context that we are now witnessing the spectacular return of nationalism(s) to  global politics and public discourse. Stuart Hall and Doreen Massey describe a “conjuncture” as “a period during which the different social, political, economic and ideological  contradictions that are at work in society come together to give it a specific and distinctive  shape” (57). The factors contributing to this conjuncture are complex and multiple. Following  the global recession of 2008/9, it has become increasingly clear that, despite small-scale  revivals of traditional forms of ethnic nationalism, the resurgent nationalism significantly  differs from its nineteenth- and twentieth-century precursors. This is not only caused by the  rapid development of mass communication (especially Internet advertising, social networks  and profiling of their clients) that has opened democracy to manipulations by marketing  strategies and disinformation, but chiefly by the transformation of nationalism itself. Instead  of its former ethnic, racial, cultural or even civic forms, the contemporary version, prominent  in the U.S. or U.K., as well as India, Brazil or the Philippines, is a fluid and ever-mobile  convocation of contrarian views that have been provocatively called “disaster nationalism” by  Richard Seymour.  

Seymour maps how “disaster nationalism” originates in deepening feelings of crisis and  precarity, ecological, economic and political, which spreads at speed through social and  virtual networks. To the expanding number of people across different classes it offers

“compensation in superiority” and fictions of renewed social unity in the return to equally  fictional homogeneous ethnic national communities. Integrating catastrophic and post catastrophic narratives, it represents the downfall of democratic civilization as a thrilling and  hopeful moment of social history, presented as a promise of new stability and order. Understanding nationalism in the 21st century demands a new analytic framework that  recognizes diverse forms of nationalism, as well as the harnessing of nationalism for imperial  aims by Putin’s Russia. The conference will attempt to initiate an interdisciplinary dialogue  comparing the impact of “disaster nationalism” on different European regions and their recent  transformations, with a particular focus on cultural and artistic responses to nationalist  discourse. The suggested areas of interest are: 

  • Devolution of the U.K. and Brexit 
  • Expansion of populism in Western and Central Europe 
  • Opposition to sub-state nationalism in the EU countries (e.g., Catalonia, Flanders) 
  • Putin’s dictatorship and its effort to redraw the political map of Europe – Disasters as opportunities: political strategy, opportunism, and myth-making – Conduits of new nationalisms: digital media and political discourse – Solidarity practices in cultural spaces 
  • Gender, sexuality, and new nationalist agendas 
  • Resonances of identity conflicts fomented by new forms of nationalism in literature,  theatre, visual arts and the new media 

Contributions are welcome focusing on identity conflicts fomented by new forms of nationalism and their resonances in literature, theatre, visual arts and new media. Apart from  identity conflicts, the preferred focus of contributions are diverse sources and practices of  resilience, chiefly against the apocalyptic, violent and retaliatory tendencies of what Seymour  labels “disaster nationalism.” 

Keynote speakers

  • Professor Luba Jurgenson (Université Paris-Sorbonne, Department of Slavic Studies) 
  • Professor Murray Pittock (University of Glasgow) 

Abstracts of presentations (300 words, 20 min. maximum) and round table proposals (90  minutes, containing the names and affiliations of speakers, and their topics) should be  submitted by 31 January 2026 at martin.prochazka@ff.cuni.cz. Registration will open on 1 March 2026.

CFP

For further details, please check the original call inserted below.

(Posted 10 July 2025)