{"id":817,"date":"2016-01-09T16:59:11","date_gmt":"2016-01-09T15:59:11","guid":{"rendered":"https:\/\/essenglish.org\/messenger\/?page_id=817"},"modified":"2016-01-09T16:59:11","modified_gmt":"2016-01-09T15:59:11","slug":"issue-xi1-spring-2002","status":"publish","type":"page","link":"https:\/\/essenglish.org\/messenger\/back-issues-1990-2005\/issue-xi1-spring-2002\/","title":{"rendered":"Issue XI\/1 &#8211; Spring 2002"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/essenglish.org\/messenger\/wp-content\/uploads\/sites\/2\/2016\/01\/mes111.jpg?ssl=1\" rel=\"attachment wp-att-818\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-818\" src=\"https:\/\/i0.wp.com\/essenglish.org\/messenger\/wp-content\/uploads\/sites\/2\/2016\/01\/mes111.jpg?resize=211%2C300&#038;ssl=1\" alt=\"mes111\" width=\"211\" height=\"300\" \/><\/a><\/p>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"3\">\n<div><big>Contents<\/p>\n<p><\/big><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">ESSE matters<\/span><\/b><\/td>\n<td width=\"30%\"><\/td>\n<td width=\"5%\"><\/td>\n<\/tr>\n<tr>\n<td width=\"65%\">\n<div>The Bologna-Prague process and English Studies<\/div>\n<\/td>\n<td>Adolphe Haberer<\/td>\n<td>2<\/td>\n<\/tr>\n<tr>\n<td>\n<div>&#8216;BA\/MA&#8217;: Fit For Globalised Markets<\/div>\n<\/td>\n<td>J\u00f6rgen Schlaeger<\/td>\n<td>6<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Secretary&#8217;s Column: Shoe Size<\/div>\n<\/td>\n<td>Hortensia P\u00e2rlog<\/td>\n<td>8<\/td>\n<\/tr>\n<tr>\n<td>\n<div>ESSE-6 Strasbourg<\/div>\n<\/td>\n<td><\/td>\n<td>9<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Articles<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>When Grown-Ups Read Children&#8217;s Books<\/div>\n<\/td>\n<td>Kirsten Stirling<\/td>\n<td>15<\/td>\n<\/tr>\n<tr>\n<td>\n<div>On the Centrality of Stylistics<\/div>\n<\/td>\n<td>Michael Toolan<\/td>\n<td>19<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Peter Ackroyd and London<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>A Hint of the Postmodern Sublime<\/div>\n<\/td>\n<td>Jean-Michel Ganteau<\/td>\n<td>26<\/td>\n<\/tr>\n<tr>\n<td>\n<div>&#8216;The Mystical City Universal&#8217;<\/div>\n<\/td>\n<td>Mette Bollerup Doyle<\/td>\n<td>29<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Shakespeare<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>White Figure in Black Ink, or Black Figure in White Ink: Shakespeare&#8217;s Sonnet CVIII<\/div>\n<\/td>\n<td>Mihaela Irimia<\/td>\n<td>33<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Shakespeare on Screen: An Update<\/div>\n<\/td>\n<td>Jos\u00e9 Ram\u00f3n Diaz Fern\u00e1ndez<\/td>\n<td>38<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Theatre<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>The Wooster Group<\/div>\n<\/td>\n<td>Johan Callens<\/td>\n<td>44<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Our Group: An English Language Speaking Theatre<\/div>\n<\/td>\n<td>Kl\u00e1ra B\u00f3dis<\/td>\n<td>47<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Interview<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>&#8216;Desperado&#8217; or not? An Interview with George Szirtes<\/div>\n<\/td>\n<td>Lidia Vianu<\/td>\n<td>51<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Translating<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>Translating English Literature in Lithuania<\/div>\n<\/td>\n<td>Regina Rudaityte<\/td>\n<td>59<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Every Translator Post Shandy Tristram Est<\/div>\n<\/td>\n<td>Manuel Portela<\/td>\n<td>62<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Revaluations<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>Pierre Macherey<\/div>\n<\/td>\n<td>Neil Badmington<\/td>\n<td>65<\/td>\n<\/tr>\n<tr>\n<td>\n<div><\/div>\n<\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Centres &amp; Projects<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>British Cultural Studies Cenre, Bucharest<\/div>\n<\/td>\n<td>Mihaela Irimia<\/td>\n<td>69<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Computer Corner<\/span><\/b><\/td>\n<td>Adam Piette<\/td>\n<td>70<\/td>\n<\/tr>\n<tr>\n<td>\n<div>The Electronic Relvolution Gains Pace<\/div>\n<\/td>\n<td>Robert Clark<\/td>\n<td>73<\/td>\n<\/tr>\n<tr>\n<td>\n<div>&#8216;Elisor&#8217;: The Website as Learning Resource<\/div>\n<\/td>\n<td>Rod J. Lyall<\/td>\n<td>76<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Reviews<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div>You taught me language&#8230;<\/div>\n<\/td>\n<td>Clara Calvo<\/td>\n<td>80<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td><b><span style=\"font-size: xx-small\">Listings<\/span><\/b><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>\n<div><i>EJES<\/i>: Table of Contents, Volumes 1-3<\/div>\n<\/td>\n<td><\/td>\n<td>82<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Conference Announcements<\/div>\n<\/td>\n<td><\/td>\n<td>85<\/td>\n<\/tr>\n<tr>\n<td>\n<div>Journals<\/div>\n<\/td>\n<td><\/td>\n<td>92<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr align=\"left\" valign=\"top\">\n<td><b><span style=\"font-size: xx-small\">ESSE Board Members<\/span><\/b><\/td>\n<td><\/td>\n<td>96<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contents ESSE matters The Bologna-Prague process and English Studies Adolphe Haberer 2 &#8216;BA\/MA&#8217;: Fit For Globalised Markets J\u00f6rgen Schlaeger 6 Secretary&#8217;s Column: Shoe Size Hortensia P\u00e2rlog 8 ESSE-6 Strasbourg 9 Articles When Grown-Ups Read Children&#8217;s Books Kirsten Stirling 15 On the Centrality of Stylistics Michael Toolan 19 Peter Ackroyd and London A Hint of the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":745,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-817","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/pages\/817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/comments?post=817"}],"version-history":[{"count":1,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/pages\/817\/revisions"}],"predecessor-version":[{"id":819,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/pages\/817\/revisions\/819"}],"up":[{"embeddable":true,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/pages\/745"}],"wp:attachment":[{"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/media?parent=817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/categories?post=817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/essenglish.org\/messenger\/wp-json\/wp\/v2\/tags?post=817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}