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CFP for the Winter 2020 issue of the ESSE Messenger

Theme: “Make ’em cry, make ’em laugh, make ’em wait”: Sensation, mystery and detection in the Victorian novel

Deadline: 15 November 2020

The ESSE Messenger invites contributions that address:

  • reasons and factors that lead to the popularity of such kind of novels;
  • construction and narrative techniques of sensational plots;
  • treatment of sensational characters;
  • contribution of these novels to the creation of popular fiction and reasons for them becoming bestsellers;
  • contribution of Victorian writers such as Dickens, Wilkie Collins, Conan Doyle to the prosperity of such novels;
  • reception of such novels by the Victorian reading public and critics in the context of the imposed belief in morality and order, expected aesthetic value and worldview of Victorian realism;
  • reception of such creations by the reading public today and their echoes in contemporary fiction.

CFP 29-2 W2020

Details here.

Eco/logical Learning and Simulation Environments in Higher Education (ELSE) (2018-2021)

No. 2018-1-ITO2-KA203-048006
www.elseproject.eu

The Erasmus+ research project Eco/logical Learning and Simulation Environments in Higher Education, in short, ELSE, was registered as part of the key action, Cooperation for innovation and the exchange of good practices (Strategic Partnerships). The priority of the project is Higher Education and the development of skills – supporting the use of digital technologies to improve pedagogies and assessment methods. Its horizontal priority consists of (a) open education and innovative practices in a digital era and (b) the extension and development of educators’ competences.

Continue reading “Eco/logical Learning and Simulation Environments in Higher Education (ELSE) (2018-2021)”

New Journal | IDEAS: Journal of English Literary Studies

IDEAS: Journal of English Literary Studies
Call for Articles for the First Issue of IDEAS in April 2021

It is an honour for the IDEA Association to launch its academic journal: IDEAS: Journal of English Literary Studies.

IDEAS is an international, electronically published and peer-reviewed journal devoted to English literary studies. The journal aims to supply a highly qualified academic platform for the exchange of diverse critical and original ideas on any aspect of literatures written in English, cultural studies, and literary theory. The first issue will be published in April 2021.

Original articles, interviews and book reviews will be considered for publication.

Papers will be submitted through the submission system available on the website.

The deadline for the submission of papers for the first issue is 15 January 2021.

Please visit the journal website for further information about the journal: https://www.idea.org.tr/ideasjournal

ESSE POSITIONS: Call for applications and nominations

For the position of PRESIDENT OF ESSE

The Nominations Committee seeks nominations for the position of President of ESSE, which falls vacant in January 2022. The usual term of office is three years. Candidates should be Professors of English with a distinguished scholarly career, and they should preferably have been involved in ESSE affairs. They need to obtain the written support from two national associations. Candidates should submit, as e–mail attachments:

  • a letter of application
  • a short (2–3 page) CV
  • letters of support from two national associations.

Each national association can also nominate candidates for this position (only one candidate can be nominated by each national association). In this case, national associations will submit, as e–mail attachments:

  • a letter, signed by the Association’s President, describing the candidate’s competence for the specific office
  • a short (2–3 page) CV of the candidate proposed
  • a letter, signed by another Association’s President, seconding this proposal
  • a letter in which the candidate will express his/her agreement with the candidacy.

Applications and nominations must be submitted electronically, by 30 April 2021 at the latest, to the members of the Nominations Committee:

From the applications and nominations received, the Committee will select the best candidates. They will be interviewed (in person or online) and elected by vote at the ESSE Board meeting in August 2021.

For the position of EDITOR OF THE ESSE MESSENGER

The Nominations Committee seeks nominations for the position of Editor of The ESSE Messenger which falls vacant in January 2022. The usual term of office is three years. Candidates should preferably have been involved in ESSE affairs. They need to obtain the written support from two national associations. Candidates should submit, as e–mail attachments:

  • a letter of application
  • a short (2–3 page) CV
  • letters of support from two national associations.

Each national association can also nominate candidates for this position (only one candidate can be nominated by each national association). In this case, national associations will submit, as e–mail attachments:

  • a letter, signed by the Association’s President, describing the candidate’s competence for the specific office
  • a short (2–3 page) CV of the candidate proposed
  • a letter, signed by another Association’s President, seconding this proposal
  • a letter in which the candidate will express his/her agreement with the candidacy.

Applications and nominations must be submitted electronically, by 30 April 2021 at the latest, to the members of the Nominations Committee:

From the applications and nominations received, the Committee will select the best candidates. They will be interviewed (in person or online) and elected by vote at the ESSE Board meeting in August 2021.

ESSE President

The ESSE Messenger Editor

Announcement of Doctoral Symposium

ESSE organizes an annual Doctoral Symposium, which continues a tradition dating from 2012 and is designed to provide a platform for young scholars to present their work and receive feedback. The Symposium is open without charge to PhD students who are writing their theses in English Studies and are at least in the second year of work on their doctorate at the time of the Symposium. To be eligible, either their supervisor or they themselves must be a member of an ESSE-affiliated Association (or, in relevant countries, of a Department that belongs to an ESSE member Association) at the moment of application. The next Symposium will take place in Lyon (France) as part of the 15th ESSE Conference 2021 from 30 August to 3 September 2021: http://www.esse2020lyon.fr/en.

Participants will have an opportunity to make a brief presentation of their work in progress in one of three strands: English Language & Linguistics, Literatures in English, and Cultural & Area Studies. Their presentation should deal with the issues addressed or hypotheses tested in their doctoral research, the results so far obtained, and above all the methodology applied, with the purpose of gaining feedback from established scholars in the field and from their peers. Each presentation will last no longer than 10 minutes, followed by 15 minutes’ discussion. Participants are expected to attend all the presentations in their own strand and to take part in the discussions. There will also be extensive opportunities for informal contact with other participants and with the academics attending the ESSE Conference. Participation in the Doctoral Symposium does not exclude the possibility of taking part in one of the regular seminars in the Conference. ESSE will cover the conference fee for all the participants of the Doctoral Symposium.

Applying to participate

Note that each PhD student can submit an application to only one strand of the Doctoral Symposium and should specify in the application which strand they wish to be placed in. Applications must include a letter from the student’s PhD supervisor giving the (provisional) title of the dissertation and confirming that the student is working under his/her supervision and has completed at least his/her first year of PhD studies. The Treasurer of ESSE will check the eligibility of all applicants and their supervisors. The participants in the 2020 ESSE Doctoral Symposium, which had to take place in an online format, are particularly welcome to apply again.

The application should take the form of a summary of the project of no more than 300 words, indicating:

  • The main topic and issues, including the thesis proposed/hypothesis defended;
  • The methodology (theoretical tools and standpoints);
  • Where relevant, the corpus under consideration;
  • The results obtained so far.

Each strand of the Symposium will be coordinated by two experts (to be known as Convenors). They will make a selection from the applications received, chair the discussions and respond to the presentations.

Applications (including the letter from the applicant’s supervisor) should be sent, no later than 1 March 2021, to the Coordinator of the ESSE Doctoral Symposium, Professor J. Lachlan Mackenzie (VU Amsterdam, Netherlands) at lachlan_mackenzie@hotmail.com, to whom general enquiries can also be addressed. The eligibility check and the selection of submissions by the Convenors will be completed and announced by 31 March 2021.

Applying for financial support

Those applicants who have been selected for participation can apply to ESSE between 1 and 15 May 2021 for financial support, to a maximum of €500 per applicant. Eligible expenses are airfares, ground transportation costs and accommodation. Applicants for financial support must themselves be members of their national associations affiliated to ESSE. Applications for financial support will be considered during March by a Committee consisting of the Coordinator of the ESSE Doctoral Symposium and the three Convenors from the ESSE Board; the Committee’s definitive decision will be communicated to all applicants by 31 May 2021.

Applications for financial support should be sent to the Coordinator of the ESSE Doctoral Symposium, Professor J. Lachlan Mackenzie (VU University Amsterdam, Netherlands) at lachlan_mackenzie@hotmail.com. Each application for financial support should include three documents (in attachment to the e-mail of application):

  • the applicant’s CV;
  • a letter detailing the applicant’s eligibility clearly and fully explaining the need for financial support, including a provisional budget for travel costs and/or accommodation expenses;
  • a signed statement from the applicant’s supervisor, including a declaration that it is impossible for the applicant to draw on private means or any other sources of funding, including funding earmarked for the ongoing doctoral project, for the purpose of participating in the ESSE Doctoral Symposium.

Please note that ESSE’s decisions about selection for participation and about financial support are final and not subject to appeal.

Covid-19

The organizers of the 15th ESSE Conference 2021 are aware of the possibility that restrictions on travel and large gatherings may be in place at the time of the conference. If, as happened in 2020, the conference has to be cancelled/postponed, the Doctoral Symposium will go ahead as a video-conference, as also happened in 2020.

Book Announcement – Jane Austen and William Shakespeare

Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance,

Edited by Marina Cano & Rosa García-Periago

Palgrave, 2019

This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.

CONTENTS

Chapter 1: Introduction: Jane and Will, the Love Story,
Marina Cano and Rosa García-Periago                       

Part 1: History, Contexts and Criticism

Chapter 2: Jane Austen as ‘Prose Shakespeare’: Early Comparisons,
Joanne Wilkes

Chapter 3: William Shakespeare and Jane Austen: Biographical Challenges,
Robert Bearman

Chapter 4: Shakespeare and Austen Translated,
Marie Nedregotten Sørbø

Chapter 5: Jewels, Bonds and the Body: Material Culture in Shakespeare and Austen,
Barbara Benedict

Part 2: Intertextual Connections

Chapter 6: Is it ‘a marriage of true minds’? Balanced Reading in Northanger Abbey and Persuasion,
Lynda Hall

Chapter 7: ‘As sure as I have a thought or a soul’: The Protestant Heroine in Shakespeare and Austen,
Claire McEachern

Chapter 8: Tyrants, Lovers, and Comedy in the Green Worlds of Mansfield Park and A Midsummer Night’s Dream,
Inger S. B. Brodey

Chapter 9: Forbidden Familial Relations: Echoes of Shakespeare’s King Henry VIII and Hamlet in Austen’s Mansfield Park and Sense and Sensibility,
Glenda Hudson

Part 3: Theatre, Film and Performance

Chapter 10: Shylock’s turquoise ring: Jane Austen, Mansfield Park and the Exquisite Acting of Edmund Kean,
Judith Page

Chapter 11: Austen and Shakespeare: Improvised Drama,
Marina Cano

Chapter 12: Shakespeare, Austen and Propaganda in World War II,
Rosa García-Periago

Chapter 13: Screening Will and Jane: Sexuality and the Gendered Author in Shakespeare and Austen Biopics,
Lisa Starks

Part 4: Popular Culture

Chapter 14: Austen and Shakespeare, Detectives,
Lisa Hopkins

Chapter 15: In the Pursuit of Love: Twilight, Jane and Will,
Heta Pyrhönen

Chapter 16: Curating Will & Jane,
Janine Barchas and Kristina Straub

Chapter 17: Afterword,
Mark Thornton Burnett

More about the volume

CFP for the Volume 26 (2022) issues of EJES

The editors of EJES are issuing calls for papers for the three issues of the journal to be published in 2022. Potential contributors are reminded that EJES operates a two-stage review process. The first is based on the submission of detailed proposals (up to 1,000 words) and results in invitations to submit full essays from which a final selection is then made.

The deadline for essay proposals for this volume is 30 November 2020, with delivery of completed essays in the spring of 2021 and publication in Volume 26 (2022).

Procedure

EJES operates a two-stage review process.

  1. Contributors are invited to submit proposals for essays on the topic in question by 30 November 2020.
  2. Following review of the proposals by the editorial board panel, informed by external specialists as appropriate, the guest editors will invite the authors of short-listed proposals to submit full-length essays for review with a spring 2021 deadline.
  3. The full-length essays undergo another round of review, and a final selection as well as suggestions for revisions are made. Selected essays are then revised and resubmitted to the guest editors in late 2021 for publication in 2022.

EJES employs Chicago Style (T&F Chicago AD) and British English conventions for spelling.


1. Going Viral: Chronotopes of Disaster in Film and Visual Media

Guest editors: Sotirios Bampatzimopoulos (Ankara University) and Geli Mademli (University of Amsterdam)

Call_for_Papers_EJES_26-2022-going-viral

2. Victorian Materialisms

Guest editors: Ursula Kluwick (University of Bern), Ariane de Waal (MLU Halle-Wittenberg)

Call_for_Papers_EJES_26-2022-victorian

3. Patriarchal backlashes to feminism in times of crisis

“Plus ça change, moins ça change.”

Guest editors: Florence Binard (University of Paris) and Renate Haas (University of Kiel)

Call_for_Papers_EJES_26-2022-patriarchal

ESSE 15 Conference, Lyon (France) postponed to 2021

In view of the current situation, the organizing committee and the ESSE Executive have jointly acknowledged that the 2020 conference cannot be held on 31 August / 4 September. All events are cancelled, except for the doctoral symposium and the annual board meeting, which will take place online. Board members and participants of the doctoral symposium will be notified about the details in due course.

We are provisionally planning to reschedule the event on 30 August / 3 September 2021 with a minimal number of adjustments. In spite of the many uncertainties ahead of us all, we remain hopeful that the conference can go ahead in 2021. A new situation update will be circulated in due course after the summer.

Details here: http://www.esse2020lyon.fr/en

ESSE 2020 Conference (Lyon, France) – Update

As a reaction to the current uncertainties, the ESSE Executive and the Organizing Committee of the Lyon Conference had an emergency meeting (via Skype) on March 19. The preparations are well under way and on schedule, and we all hope and trust that the conference will take place as planned at the end of August/beginning of September. However, in view of the uncertainties it was decided that the opening of the registration procedure will be postponed for the time being. A new situation update will be posted on April 30. The dates for early bird registrations will be reassessed and possibly adjusted depending on the time when registration can be opened. We very much hope that the situation will be clearer by the end of April and will inform accordingly. In the meantime, keep safe and stay healthy.

Details here: http://www.esse2020lyon.fr/en/pages/esse-2020-home

Conference Report – 28th CDE Conference

“Theatre of Crisis. Aesthetic Responses to a Cross-Sectional Condition”
June 20-23, 2019, University of Graz, Austria

Julia Boll, CDE Secretary

The Bildungshaus Mariatrost in Graz (Austria)

The 2019 CDE conference officially opened with the welcoming words by the conference organiser Nassim Balestrini (University of Graz), Maria Löschnigg (University of Graz), and Leo Lippert (University of Vienna). The President of the society Ute Berns thanked the conference organisers for their work and commitment. The conference organisers then introduced the conference theme, followed by a welcome by Martin Löschnigg, the deputy head of the Institute of English Studies at the University of Graz.

After dinner, the conference participants made their way into Graz city centre to attend a performance of Ayad Akhtar’s The Who and the What at Schauspielhaus Graz, followed by a roundtable discussion with dramaturgs and other representatives of the theatre.

The second day started with the conference’s first keynote: Erin Hurley (McGill University, Montréal), “Community Vitality and Minority-language Theatre: English-language Drama and Theatre in Modern Québec” (chaired by Nassim Balestrini). Hurley traced English-language theatre’s status as a minority theatre in francophone Québec, arguing that the crisis of anglophone theatre in Québec does not register as a crisis.

Continue reading “Conference Report – 28th CDE Conference”

CFP for the Summer 2020 issue of The ESSE Messenger

Theme: Language, discourse and gender identity

Guest editors:

Dr. Isil Bas, Istanbul Kultur University, Turkey
Dr. Maria Socorro Suárez Lafuente, University of Oviedo, Spain

Deadline extended: 30 June 2020.

The upcoming ESSE Messenger issue will concentrate on both the role of language in creating gendered identities and alternative “discourses” that envisage the existence and possibility of plural and variable existences and worlds that challenge traditional sexed and gendered polarities.

Continue reading “CFP for the Summer 2020 issue of The ESSE Messenger”

Call for Topics for Three Special Issues of EJES

Call for Topics for Three Special Issues of European Journal of English Studies

(Volume 26, to be published in 2022)

The European Journal of English Studies is calling for proposals for the topics of three special issues of the journal that will be published in 2022. EJES or the European Journal of English Studies is the official journal of the European Society for the Study of English. The journal is published by Routledge, a division of the Taylor and Francis Group. EJES is peer reviewed, and several recent issues have been reprinted as hardback books by Routledge (Routledge Special Issues as Books). During 2018, EJES received 29,713 full-text downloads from the T&F platform.

The journal’s acronym “EJESreflects its editors’ aspiration to publish cutting-edge research that questions boundaries between literary research, linguistics, and cultural and media studies. Pronounced “edges,” the journal takes an interest in topics that investigate edges of and overlaps between interdisciplinary scholarship in English Studies. “European” does not describe a geography, but a situation in which “English” is studied and taught, across a wide range of disciplines. We are particularly interested in seeing work that addresses crossovers between political and aesthetic issues, also as they are reflected in language use. See https://essenglish.org/ejes/aims-and-scopes/ for Aims and Scope.

Proposals for themed issues are welcome at any time. Yet a selection of three new topics is made at the end of each calendar year. The current call is for Volume 26, to be published in 2022. Guest editing teams are ideally comprised of two or three individuals who are working in different localities within Europe. They should also have significant editing experience. The general editors ask that suggestions for new topics be proposed in the form of a 300 to 500 word call for papers and be submitted to all three general editors, who are listed below. Proposals should be submitted by 15 December.

To get an impression of the scope of the journal, it is helpful to see the special issue topics of EJES in the current volume:

Volume 23 (2019)

23.1 Narratives of Religious Conversion from the Enlightenment to the Present, eds Ludmilla Kostova (Turnovo) and Efterpi Mitsi (Athens)

23.2 Fact and Fiction in Contemporary Narratives, eds Jan Alber (Aachen) and Alice Bell (Sheffield)

23.3 Shame and Shamelessness in Anglophone Literature and Media, eds Katrin Röder (Potsdam), Christine Vogt-William (Berlin) and Kaye Mitchell (Manchester)

And in the upcoming one:

Volume 24 (2020)

Representing Trans, eds Elahe Haschemi Yekani (Berlin), Anson Koch-Rein (Grinnell) and Jasper Verlinden (Berlin)

Neo-Victorian Negotiations of Hostility, Empathy and Hospitality, eds Rosario Arias (Málaga) and Mark Llewellyn (Cardiff)

‘Decentering Commemorations’: Literary, Cultural, Historical and Political Commemorations across and beyond the British Isles, eds Jeremy Tranmer and Céline Sabiron (Lorraine)

The current call for special topic proposals runs simultaneously to the final call for papers for the three EJES issues that will be published in 2021. These are for

 Volume 25 (2021)

“Brexit and Academia,” eds Sibylle Baumbach (Stuttgart) and Andreas Maurer (Innsbruck);

“Feminist Responses to Populist Politics,” eds Mónica Cano Abadía (University of Graz), Sanja Bojanić (University of Rijeka), Adriana Zaharijević (University of Belgrade)

and

“Disseminating Knowledge: The Effects of Digitalized Academic Discourse on Language, Genre and Identity,” eds Rosa Lorés Sanz (Universidad de Zaragoza), Giuliana Diani (Università di Modena e Reggio Emilia)

See https://essenglish.org/ejes/current-cfps/ for details on how to submit and to contact the guest editors of these issues.

ESSE Book Awards 2020 – For books first published in 2018 and 2019

ESSE Book Award (Category A):  A book prize of €1,500 will be awarded by ESSE in 2020, coinciding with the 15th Conference to be held in Lyon, France, for books first published in 2018 or 2019 in each of the following fields:

  1. English language and linguistics
  2. Literatures in the English language
  3. Cultural and area studies in English

ESSE Book Award for Junior Scholars (Category B): A further book prize of €1,500 will be awarded by ESSE in 2020 to a junior scholar for a first research book published in English in each of the three fields mentioned above, provided that publication was in 2018 or 2019.

The deadline for submission of books is 1 February 2020. The winners will be announced on the occasion of ESSE-15 in Lyon, France.

The requirements are as follows:

  • Books eligible for prizes will be those published in English; they must have an ISBN. PhD dissertations published in book format, with an ISBN, are accepted. Editions of collected essays will NOT qualify for these prizes. The books must be works of scholarly research in the field of English studies. Undergraduate textbooks will not be considered.
  • Any number of books may be submitted by the same author (provided that they are published within the admitted period of time), except for category B, since junior scholars are expected to submit their first research book published in English.
  • All books will be evaluated strictly on the basis of their academic value, without regard to publisher, country of publication or nationality of the author.
  • Authors must be members of national associations affiliated to ESSE (according to the official membership list submitted in 2019).
  • Three copies (printed or electronic format) must be provided of each book submitted for consideration. No book will be considered for an award unless three copies have been received. The copies will not be returned.
  • Candidates must write an email to the President of ESSE, Prof. Andreas H Jucker esse.president@outlook.com, informing him of their intention to participate, declaring their affiliation to a national association which is a member of ESSE, giving their university address, mentioning the field to which their book belongs, and indicating whether the copies of the book will be sent by the author or by the publisher. Candidates for the Category B award must also include a brief CV which must contain at least their date of birth, university affiliation, main field(s) of research and previous publications.

The three review copies must be sent to the address below by 1 FEBRUARY 2020. The deadline must be observed.

Books must be sent to the following address:

President of ESSE          
Prof. Dr. Andreas H. Jucker
Department of English
University of Zurich
Plattenstrasse 47
CH-8032 Zurich

The selection committees (three members each) will be appointed by the Board of ESSE in each of the three fields and for the two categories named above. Their composition will not be made public. Board members shall not pass on any information concerning this matter to the members of their associations. The Executive of ESSE will replace any members who are unable to carry out their duties. The Chairs of the selection committees will report progress regularly to the President of ESSE. The members of the committees can be Board members or ESSE members invited by the Board to do the selection job. The members of the committees and the ESSE Board are excluded from submitting their own books.

Two months before the opening of the conference a shortlist of a maximum of five books in each field and category will be announced on the ESSE Website. Board members are asked to report to the President any misgivings that they may have about the propriety of awarding a prize to any book on the shortlist, with the President passing on such comments to the committees if he deems it appropriate. The committees will recommend the awards to the Board, or they may recommend that no award be made in a particular field. Each committee can also recommend the conferment of one honourable mention. The President will report to the Board whether the work of the committees has been satisfactorily conducted. The Board may then approve the recommendations of the committees or they may reject a recommendation, in which case no award will be given in that field or category. Winners will be informed immediately in confidence, and the awards will be publicly announced during the opening ceremony of ESSE-15 conference, in Lyon, France

Most important decisions taken by the Board (Wroclaw, Poland, 29 – 30 August 2019)

  1. The Board of ESSE unanimously agreed to have only one date for membership updates per calendar year. Fees will be collected according to the membership lists sent to ESSE Treasurer by 15 November of the current year. Members whose names are included in these lists will be able to claim ESSE privileges the following year, such as ESSE Bursaries, ESSE Book grants, ESSE Book awards, conference fee waivers and the Collaborative Project Workshop Schemes. The only exception will be the ESSE Doctoral Symposium, whose requirements for both, taking part and applying for a grant remain unchanged.
  2. The Board of ESSE unanimously accepted a new member association. This is the Montenegrin Society for the Study of English (MONTESSE).
  3. The Board of ESSE agreed to the theme of the forthcoming winter volume (December 2019) of The ESSE Messenger. The topic will be “The book-to-film debate in the age of visual commodities”. The planned theme for the summer volume (July 2020) is “Language, discourse and gender identity”.
  4. The Board of ESSE appointed the evaluation committees for the ESSE Book Awards in 2020.
  5. The Board of ESSE accepted the proposed parallel lectures, seminars and round tables for ESSE-15 conference in Lyon in 2020. The call for papers will soon be published on the ESSE website.
  6. The Board of ESSE strongly reaffirmed its commitment to promote research and support activities destined to help young and established researchers. The Board decided to:
  • continue with the Bursaries, and appointed a Bursary committee for 2020. The deadline for the submission of applications is 1 March 2020;
  • continue with the Book grants. The deadline for the submission of applications is 1 May 2020;
  • continue with the Doctoral Symposium in conference and non-conference years, as well as to offer funding of up to €5,000 to help eligible doctoral students in need of support to participate in the Doctoral Symposium that will be held in Lyon, France, during ESSE-15 conference. The announcement will soon be published on the ESSE website;
  • continue the Collaborative Project Workshop Scheme, whose purpose is to support a preliminary meeting of European researchers working towards a collaborative research project in the field of English Studies.

CFP for the Winter 2019 issue of The ESSE Messenger

Theme: The book-to-film debate in the age of visual commodities

New deadline: 15 November 2019.

‘Did you read the novel?’ – ‘No, but I saw the film.’ This is a dialogue that often takes place today. Besides being common, this short conversation is also very revealing about the relation between the printed text and its visual representation as a film or TV series. And, obviously, it couldn’t be otherwise in a world dominated by TV sets, computers, tablets and smart phones with video facilities incorporated, and by video games, rock videos, home cinema, and many other appliances that reproduce images. More than that, the new commercialism could not but take advantage of such a reality and turn everything into commodities and try to extract profit from them. Novels about Harry Potter or Games of Thrones would probably not have achieved such rocketing success if they hadn’t subsequently had their visual adaptations.  J.R.R. Tolkien might still be resting on dusty library shelves surrounded by his Middle-earth if he hadn’t been (re)discovered by film makers and adapted for the silver screen.

Continue reading “CFP for the Winter 2019 issue of The ESSE Messenger”

Job Advertisement

The Faculty of Translation Studies, Linguistics and Cultural Studies, FB06, Campus Germersheim, invites applications for the position of a Junior Professorship of Anglophone Studies (Bes.Gr. W 1 LBesG) to be in post on 01.04.2020.

Details here.

In Memoriam Professor Herbert Grabes (1936-2015)

Prof. Dr. Dr. h.c. (mult.) Herbert Grabes (1936-2015) in Memoriam

 

 This memoriam is composed on the basis of a memorial speech that I held in German at Prof. Dr. Dr. h.c. mult. Herbert Grabes’s funeral service in December of 2015. An obituary written in German by my friend and former University of Giessen colleague Professor Ingo Berensmeyer flows into this text as do some of the recorded memories of several of Herbert Grabes’s former colleagues and friends.

My first experience of Herbert Grabes was as a distant admiring listener at a huge ESSE conference. I remember Professor Ansgar Nünning’s loving introduction of his senior colleague and my sense of how lively and interesting and erudite a speaker Herbert was. I subsequently got to know him personally at the beginning of my time at the University of Giessen in late 2008. In 2009, I had the honor of taking over his chair in American and British Studies at the University of Giessen. Filling his footsteps remains a large undertaking. It also marks a change of generations and also of style in German English and American Studies, with more women professors now holding chairs and with more native speakers of English now in the front lines as well. Herbert once told a younger woman relative that his successor was “some feminist,” but he met this feminist with a wonderful mixture of good will and also openness to change. It is an honor to remember his life here. This includes his multifaceted efforts at the University of Giessen as well as to promote American and English Studies in Germany, Europe, and beyond.

Continue reading “In Memoriam Professor Herbert Grabes (1936-2015)”

Conference Report: 27th CDE Conference: Fear and Anxiety in Contemporary Drama

Conference Report: 27th CDE Conference: Fear and Anxiety in Contemporary Drama

May 31-June 3, 2018, University of Hildesheim

by Dr. Julia Boll
CDE Secretary 

CDE Universitaet Hildesheim Neubau Luebecker Strasse
Photo by Andreas Hartmann

The 2018 CDE conference officially opened with the welcome speeches by the conference organiser Stefani Brusberg-Kiermeier and the Dean of the University of Hildesheim’s Faculty of Arts Prof. Dr. Jens Roselt. The President of the society Prof. Dr. Ute Berns thanked the conference organisers for their work and commitment. She then informed the members of the recent death of long-standing member of CDE, Dr. Christoph Henke, PD (Augsburg), who died the weekend before the conference. A minute of silence followed.

The President then announced the two winners of the Bi-Annual CDE Award for outstanding dissertations (jury: Annette Pankratz, Kerstin Schmidt, Christina Wald). She read the laudations for Cyrielle Garcon and Jan Suk, who shared the prize this year: Cyrielle Garson (Univ. de Avignon) for her thesis Beyond Documentary Realism: Aesthetic Transgression in Contemporary British Verbatim Theatre, and Jan Suk (Charles University Prague) for The Poetics of Immanence: Performance Theatre of Forced Entertainment. Both theses will be published as monographs in the CDE book series.

Continue reading “Conference Report: 27th CDE Conference: Fear and Anxiety in Contemporary Drama”

CFP for the New Series of “The AnaChronisT”

The New Series of The AnaChronisT invites academic papers for its next issues.

We welcome papers in any field of English and American literature, culture and literary theory.

Papers may be submitted at any time.

The New Series of The AnaChronisT is an international academic journal published by the Department of English Studies at Eötvös Loránd University, Budapest.

It is indexed by major research databases, and appears annually.

The 2019 issue will have a thematic section on “Dehumanization in Literature,”

as well as a general section.

We welcome papers for both sections of this issue until 15 August 2019.

For submission guidelines and further information, visit our website

https://www.theanachronist.org/

EJES – Call for Papers for Volume 25 (2021)

The general editors of EJES are now issuing calls for papers for two issues of the journal to be published in 2021. Potential contributors are invited to submit detailed proposals of up to 800 words to the guest editors of the topic they are interested in.

The deadline for proposals for this volume is 31 December 2019.

Procedure

EJES operates in a two-stage review process.

  1. Contributors are invited to submit proposals for essays on the topic in question by 31 December 2019.
  2. Following review of the proposals by the editorial board, informed by external specialists as appropriate, the guest editors will invite the authors of short-listed proposals to submit full-length essays for review with a summer 2020 deadline.
  3. The full-length essays undergo another round of review, and a final selection as well as suggestions for revisions are made. Selected essays are then revised and resubmitted to the guest editors in late 2020 for publication in 2021.

EJES employs Chicago Style (T&F Chicago AD) and British English conventions for spelling and punctuation.

Feminist Responses to Populist Politics

Guest editors: Mónica Cano Abadía (University of Graz), Sanja Bojanić (University of Rijeka), Adriana Zaharijević (University of Belgrade)

‘Populism’ is as slippery a term as the political soil it rhizomes in. During the last decade, it has been tested in political reality on numerous occasions and with varying outcomes. The distinction between right and left populisms has also become a staple in everyday academic, policy, and civil society discourses. On the left or the right, populisms often act as a bogeyman, as a threat to politics as usual, and as a sure sign that the world is, yet again, out of joint.

But are these misgivings of any substance? Perhaps the world is actually disjointed. It may be that populisms, left or right, fill in the cracks and fissures that have been lain open for only a short period of time, one that coincides with decades of sustained feminist efforts to change the world for the better. Despite the gains, much of what has been won is now being brought to a halt – and it seems that populisms play their share in this stoppage. It is therefore vital to ask what feminist responses to populisms could be. Can the answer to this question be reduced to the issue of political allegiance, or is it a matter of needing to adjust to new political realities? Would this imply then embracing these realities as well? What is the role that populisms now play in shaping the relationship between radical and mainstream feminisms? If we claim that feminism has always been populist to a certain extent, then we have to have a clear notion of the populus at its core. Alternatively, we might categorically posit that feminist populism is a contradiction in terms and therefore also reject the possibility of left populist feminisms.

This special issue addresses feminist visions of politics as a different answer to populisms’ challenges. We wish to mark ambivalences and name conceptual reasons for why it is insufficiently daring or even reactionary to place feminist emancipatory strategies close to politically divisive contemporary tendencies. Instead, we call for a return to notions of feminist resistance and resilience – notions that put an emphasis on agency, change, and hope in the face of the grave challenges we are faced with around the world. The following topics may be addressed:

  • What does ‘feminist populism’ refer to?
  • To what does feminist resistance to populism refer?
  • How does feminist resilience function?
  • What are the consequences, challenges and possible solutions that feminist resilience can bring about in civil society and institutions?

Detailed proposals (up to 800 words) for full essays (7,500 words), as well as a short biography (max. 100 words) should be sent to all of the editors by 31 December 2019: Mónica Cano Abadía (monica.cano-abadia@uni-graz.at), Sanja Bojanić (sanja.bojanic@uniri.hr), Adriana Zaharijević (zaharijevic@instifdt.bg.ac.rs)

Disseminating Knowledge: The Effects of Digitalized Academic Discourse on Language, Genre and Identity

Guest editors: Rosa Lorés Sanz (Universidad de Zaragoza), Giuliana Diani (Università di Modena e Reggio Emilia)

Recent decades have seen a substantial evolution in discursive practices, particularly those associated with institutions, the sciences and the economy. This state of affairs has been enhanced by the appearance of digital platforms, which have made of the web a privileged access platform both for knowledge creation and knowledge dissemination in an increasingly globalized society. This scenario is also characterized by the use of English as the international language of communication, most users being non-native speakers of the language. Thus, the spread of electronic platforms as well as the use of English as a vehicle of international communication have led to the emergence of new discursive practices or the adaptation of existing ones to the digital mode.

Digital affordances, and the immediacy, visibility, and connectedness they bring along, have changed the way we communicate and project our identities. They have also changed the way we approach texts as objects of analysis. This special issue aims to become a forum for some of the latest contributions to this topic. Proposals from different analytical approaches are welcome. These approaches might include computer-mediated discourse analysis, pragmatics, intercultural rhetoric, genre-based analysis, corpus studies or multimodality. The following topics may be addressed:

  • Are digital genres in academic settings modelled on traditional genres in paper format? Or, rather, is the digital mode generating new genres? What are their rhetorical and discursive features?
  • How is identity constructed and represented in digital academic discourse?
  • In which ways has the use of English as a Lingua Franca in the academic world been influenced by the use of digital platforms? To what extent do culture and discipline affect the shaping of academic web-mediated discourse?
  • How do verbal and visual modes interact in academic digital contexts? Which new methods of approaching discourse are needed to understand web-mediated texts?

Detailed proposals (up to 800 words) for full essays (7,500 words), as well as all inquiries regarding this issue, should be sent to both editors by 31 December 2019: Rosa Lorés-Sanz (rlores@unizar.es) and Giuliana Diani (giuliana.diani@unimore.it).

Position of Professor (f/m) of English Literary and Cultural Studies

 

Karl-Frazens University of Graz (Austria)
The Institute of English Studies at the Faculty of Arts and Humanities

is seeking to appoint a

Professor (f/m) of English Literary and Cultural Studies pursuant to §98 of the University Act (UG)

(40 hours per week; permanent employment according to the Austrian Law on Salaried Employment (AngG); expected starting date October 1st 2020)

The holder of the position will represent the field of English literary and cultural studies from the early modern period up to and including the 18th century in research and teaching, with a particular focus on Shakespearean drama. Teaching responsibilities concern the bachelor’s and master’s programmes in English and American studies, the English teacher training programme, and the doctoral programme. Research and teaching should focus on literary studies and philologically-oriented cultural studies. In addition, the holder of the position will seek points of contact with existing research collaborations at the institute and at the faculty. Applicants are expected to have a record of excellent research activities and teaching experience in the above-mentioned fields. The candidate is expected to have a habilitation or equivalent qualification in English Literature, excellent academic qualification in research and teaching for the relevant subject, and a very good command of German. In addition, we expect gender mainstreaming competence.

Please submit your applications stating the reference number BV/19/98 ex 2018/19 by March 27th 2019 at the latest.

For information about the application procedures and other prerequisites, please visit
jobs.uni-graz.at/en/BV/19/98.

 

Call for participants – International summer school, “Romanticism on the Coast”

The international summer school is organised by the Interuniversity Centre for the Study of Romanticism (Bologna branch), in partnership with Lerici City Council and the Cultural Association “Amiche e Amici di Mary Shelley”, to be held in Lerici (Italy) between 17 and 21 June 2019. The master classes and workshops offered by the Summer School will deal with issues related to British and European Romanticism, focusing in particular on the personal and cultural connection between some of the most famous Romantic poets, writers and critics (including PB Shelley, Mary Shelley, Lord Byron, Women Romantic Poets), the city of Lerici and the famous Gulf of the Poets. The Summer School is addressed to postgraduate students and early stage researchers (MA, PhD students, Post-docs), as well as independent scholars of Romantic literature and culture.

 Details

 Registration form