ELOPE: English Language Overseas Perspectives and Enquiries (http://revije.ff.uni-lj.si/elope) is a double-blind, peer-reviewed academic journal that publishes original research of English language, literature, teaching and translation.
The spring 2018 issue of ELOPE is dedicated to the position and role of speculative fiction and especially science fiction in a world that is increasingly becoming speculative and science fictional. The globalized, digitally mediated nature of contemporary realities and, indeed, individuals, increasingly corresponds to those imagined by the literary cyberpunk of the 1980s – by the movement which with its formal and thematic properties arguably blurred the dividing line between the “mainstream” literary fiction and the science fiction genre. In the first decade of the third millennium, the extrapolations of current technologies and science typically associated with the genre seem to be moving from the temporal to the spatial axis, that is, from the futures far far away to the multiplicity of presents and realities that are parallel to ours. Jaak Tomberg attributes this collapse of futurity to the “cognitively dissonant pace of change in contemporary technocultural society” which renders imagining of ontologically different futures impossible. Approaching the issue from the perspective of postmodern theory, we can similarly ascertain that in a world in which the digital code precedes reality, the present is a priory infused with futurity, and any (literary) speculation cannot NOT be realistic. On the other hand, recent developments in the field increasingly reveal an alternative, radically different approach to futurity. In the 2014 collection of essays on contemporary science fiction SF Now, for instance, contributors acknowledge the prevalence of texts in which the future is a furtherance of the technocultural, late capitalist present; however, with regard to the social, cultural and historical relevance of the genre in the coming years, their focus is directed at the narratives in which the future transcends imaginable possibilities and inspects the potentialities of a different ontological order.
What, then, is science fiction today? What is its role? Has the collapse of futurity onto the present caused an irretrievable convergence of the speculative and the mimetic? How does that reflect on the language used? The stylistic properties? On the ways such fiction is translated? How much sense does it make to treat science fiction – or anything else for that matter – as a genre significantly different from other instances of writing in the context of the postmodern paradigm which fundamentally revels in hybridity? To what an extent do traditional definitions of the genre still apply? What can be considered cognitively dissonant and what can be considered a novum in a world that seems to have no outside? Can there be an outside, and if so what is it (would it be) like? What role can science fiction play in our imaginings of the future? And of our present? What does it have to offer? What can it teach us? These are some of the issues we would like to address in the up-coming issue of ELOPE. The editors warmly invite contributors to submit original research on these and related topics, and to provide insights from as wide a range of perspectives, approaches and disciplines as possible – not only from the seemingly primary domain of literary studies, but also from the perspective of language and translation studies, as well as ELT.
The language of contributions is English. Papers should be between 5,000 and 8,000 words in length, with an abstract of 150–180 words. They should be submitted electronically, and should conform to the author guidelines (http://revije.ff.uni-lj.si/elope/about/submissions). Any inquiries can be sent to Andrej Stopar (email@example.com). Submission deadline: April 1st, 2018.
(posted 23 November 2017)
Multi/Inter-culturalism and identity negotiation
Summer 2018 issue of the ESSE Messenger
Deadline for submissions 1 May 2018
Identity and the redefinition of identity have become of major significance in the modern world. On the one hand, multiculturalism is perceived as a form of identity politics that tends to advance the interests of particular groups and to determine the cultural values, norms and assumptions through which individual identity is formed. In addition, interculturalism is frequently regarded as a form of acceptance of differences in an atmosphere of interest, tolerance, self-realization, and support for cross-cultural dialogue.
In light of this, the aim of this issue will be to discuss the perceived (im)balance between dominant host cultures and transnational / immigrant cultures and also the ways in which identity may be regarded as a reflexive self-concept, self-image or outer perception derived from gender, cultural, ethnic values, and individual socialization.
The deadlines for submissions is 1 May 2018.
The submissions should be sent to the ESSE Messenger Editor at: firstname.lastname@example.org
All contributions sent to the ESSE Messenger should observe the ESSE Messenger Editorial Code and Stylesheet.
Details at: http://essenglish.org/messenger/contributors/calls-for-articles/
(posted 16 January 2018)
Negotiating Aging and Ageism in English-speaking Literatures, Theatre and Performance Arts
Hungarian Journal of English and American Studies (HJEAS)
Deadline for proposals: 1 May 2018
Scholars and Ph.D. students in literary, theatre, and performance studies are invited to offer abstracts of prospective papers for a special block of essays Negotiating Aging and Ageism in English-speaking Literatures, Theatre and Performance Arts to be published in the Hungarian Journal of English and American Studies (HJEAS), an MLA indexed, JSTOR archived, and ProQuest-available journal of the Institute of English and American Studies at the University of Debrecen, Hungary. Publication is planned for 2019-2020.
Many societies in the world today are challenged by the phenomenon of an aging population with its special problems and needs. In the last couple of decades, studies of aging have emerged within the humanities assuming that age is as important a marker as gender, class, race, ethnicity and ability for the understanding of communal and personal identity. Critics agree that age is not only a biological fact but is also socially constructed and performative by nature. Valerie Barnes Lipscomb contends: “Because any age can be performed, viewing age as performance contributes to the broadening of the field of aging studies . . . combating the marginalization of criticism regarding either childhood or old age, the ‘marked’ ends of the life course.” HJEAS welcomes proposals of how the joint subjects of age, aging and ageism are negotiated, portrayed and/or represented subversively in literature, theatre, and/or performance arts.
Proposals of about 400-500 words together with a brief CV should be sent to the block editor before 1 May 2018. Contributors will be notified about the decision regarding their proposal by 20 May 2018. Accepted papers are due via e-mail by 1 September 2018 and should follow the house style of HJEAS, conforming to the 7th edition of the MLA Handbook using parenthetical citations keyed to a Works Cited section. Papers should be 6,000-7,000 words. Each paper will be submitted for blind review by two peer readers.
Editor of the special block: Dr. Mária Kurdi, professor emerita, University of Pécs, Hungary
E-mail address: email@example.com
Snail-mail address: University of Pécs, Department of English Literatures and Cultures, Institute of English Studies, 6, Ifjúság St, 7624 Pécs, Hungary
(posted 10 February 2018)
Experiments in short fiction: between genre and media/La brièveté et l’expériment: entre genre et media
IL LI 23, Fall 2018
Deadline for submissions: 30 June 2018
Editors : Elke D’hoker and Bart Van den Bossche
Short narrative texts have a long and ancient lineage in the Western literary tradition: from ancient folk tales and myths over fables and novellas to short stories and flash fiction in recent times. Over the course of the centuries, short fictional texts have formed genres and traditions with a remarkable stability, yet at the same time they frequently have been the locus of experimentation, border crossings and generic hybridity, often in tandem with the spread of media and the development of new contexts of publication and dissemination. In modern literature, it suffices to think of the importance of short fiction for the development of fantastic literature, the illustrated prose poems of the Decadents, the short fiction experiments in early 20th-century avant-garde periodicals, or the short stories dramatized for radio in the mid-twentieth century. In recent years, the arrival of new media – websites, blogs, twitter and facebook – have similarly given rise to new experiments in short fiction. Hyper fiction, twitter fiction, microfiction, and nanofiction are only some of the forms that have been developed in response to these new media.
This special issue aims to investigate these and other short fiction experiments as they have emerged since the late nineteenth-century in different literary traditions. It will explore the formal, generic and intermedial aspects of these short fictional texts – from microfiction to the novella – and the way they create meaning. As Paul Zumthor famously argued in “Brevity as Form”, brevity is not just a matter of length. Rather it “constitutes a structuring model” in which formal constraints enable creativity and invention. One of the central questions of this issue is therefore how writers work with the limits imposed by brevity in a variety of genres and forms: from the constraints imposed on newspaper stories to the 140-character limit of the Twitter story, from the generically hybrid novella to the epigram-like microfiction, from Felix Fénéon’s faits divers to Teju Cole’s “Small Fates”. The question how short a story can possibly be has often been debated – think of Hemingway’s famous “For Sale. Baby Shoes. Never worn” – but has received new urgency given the many platforms for nanofiction and microfiction that have emerged in recent years. At the other end of the spectrum, the question of length is also debated with regard to the novella: what distinguishes a novella from a short story and a short novel? And how is the same story changed when its length or format is changed; when it migrates from newspaper story to novella, from serialized Twitter story to complete short story. In this and in many other instances, the contexts of publication also have an impact on short fiction experiments, as these contexts – whether magazine, newspaper, story collection, twitter feed, website or blog – shape the production and reception of short fictional texts to an arguably greater extent than in the case of the stand-alone novel and, hence, need to be taken into account in any study of short fictional texts.
We invite articles addressing these questions in different literary traditions from the late nineteenth century onwards. Articles of about 6000 to 8000 words in length can be written in both French and English. Deadline for submissions is 30 June 2018, but we would like you to get in touch with the editors with a proposal before submitting the full article. Proposals and articles should be sent to Elke D’hoker (firstname.lastname@example.org) and Bart Van den Bossche (email@example.com). The articles will be sent out for double blind peer review.
(posted 22 February 2018)